Day of the Dead (1985)
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The third chapter in the saga that director George Romero started in 1968 with NIGHT OF THE LIVING DEAD moves the story further along the timeline of the zombie apocalypse to a time when survivors are few and far between. At an underground Florida research station, Dr. Logan (Richard Liberty) conducts grotesque experiments on captured zombies to search for a way that the living and the living dead can cohabitate. Begrudgingly sharing the facility with the doctor is military man Rhodes (Joe Pilato) and his underlings. Scientist Sarah (Lori Cardille) and her fellow survivors seek refuge at the compound just in time to see a clash between Logan and Rhodes reach a critical turning point. DAY OF THE DEAD stands as the most controversial film in the series. While some feel that its confined, talky nature prevents it from achieving the constant white-knuckle thrills of the previous two films, others admire its strides toward figuring out what drives the zombies. Regardless, the third act features the most extreme and well-executed special effects in the series, with several gory sequences that will leave an undeniable impression on those who witness them. |
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Dawn of the Dead (1979)
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Picking up where NIGHT OF THE LIVING DEAD left off, and still offering no explanation of why the dead are walking the earth, DAWN OF THE DEAD plunges headlong into one of the most violent and original horror films ever made. After securing an apartment building overcome with flesh-eating zombies, two Philadelphia area SWAT team members, Peter (Ken Foree) and Roger (Scott Reiniger), flee to a television station, where they escape in the station's helicopter with Francine (Gaylen Ross) and Stephen (David Emge), two station employees. Seeking refuge from the zombies and the ensuing hysteria, they land on top of a Pittsburgh area shopping mall, despite the fact that the undead seem to be flocking there. What begins as a stop for supplies becomes a longer stay as the four become embroiled in a futile war within the mall to keep their flesh to themselves and remain alive. The film's relentlessly disturbing and innovative gore effects are one reason to see DAWN OF THE DEAD, but those who can stomach the endless barrage of blood and gnarled zombie faces will be rewarded--and possibly surprised--by what the film says about human nature and life within a consumer-based culture. Any aficionado of horror is likely to place the film high on their list of revered cinema. |
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Night of the Living Dead (1968)
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An army of dead bodies comes to life and terrorizes a group of friends trapped inside a rural farmhouse. |
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The Omen (2006)
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Robert Thorn is a senior American diplomat whose wife, Katherine, endures a difficult delivery where their newborn child has died. Thorn knows the news will devastate Katherine, who had suffered two previous miscarriages. The hospital priest presents Thorn with another child born that night, whose mother died in childbirth. The priest compels Thorn to take the infant boy as his own; Katherine will never know the truth, and their son, which they name Damien, will be raised as their flesh and blood. As the child turns five, unsettling events begin to occur: Damien's nanny hangs herself at the youngster's birthday party; a strange priest brings dire warnings to Thorn; a children's trip to the zoo results in a panicked frenzy; Damien becomes hysterical during a drive to church; and blurred movements in a series of photographs portend shocking deaths. Enter Mrs. Baylock, Damien's new nanny, who seems to have a preordained devotion to the child. Then tragedy strikes closer to home. But only later does Thorn comprehend the truth: Damien is no ordinary child; he is the long-prophesized Anti-Christ. Now, Thorn must make the ultimate sacrifice to prevent the unspeakable terror that awaits the world. |
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The Omen IV: The Awakening (1991)
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Damien returns...In the form of a beautiful baby girl, Delia. Adopted by rich, influential attorneys, Delia appears to be a perfect angel. But satanic terror and destruction seem to follow wherever she goes. |
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The Omen III - The Final Conflict (1981)
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The third film in the OMEN series. Damien the anti-Christ, (Sam Neill) is now a wealthy and powerful ambassador. When he sees a cosmic sign that may foretell the second coming of the Christ child, he sends out his minions to kill as many babies as possible. Meanwhile, a group of monks is trying to assassinate him with the seven sacred daggers of Megiddo. Will good or evil triumph? |
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The Omen II - Damien (1978)
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A couple send their orphan nephew, the Antichrist, to military school, where he learns who he is. |
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The Omen (1976)
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The young son of an American diplomat and his wife, living in London, turns out to be marked with the sign of Satan, the infamous "666". It soon becomes apparent that he could be the Anti-Christ incarnate and possesses the evil powers to stop anyone who stands in his way. |
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Goal! The Dream Begins (2006)
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How far would you go to live your dreams? When Santiago Munez is given the chance of a lifetime, he must leave his family, his life in Los Angeles and everything that he knows to travel halfway around the globe to England and into a completely foreign world--the exciting, fast-paced and glamorous world of international soccer. As an underprivileged Mexican-American immigrant growing up in the poor section of Los Angeles, Santiago seemed destined to follow his father's path in life: laboring at menial jobs to earn just enough money to support his family. Naturally gifted, his amazing talent on the soccer field was wasted in recreation league games while he could only dream of playing on the world stage of professional soccer. But when a British scout discovers his talent and gets him a tryout with one of England's premier soccer clubs, Newcastle United, Santiago must choose between his father's fate and his own destiny. Now alone in a world where soccer is a religion and players are gods, this underdog must prove that he's got the talent and determination to make it amongst the best in the world. |
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Goal! 2: Living The Dream (2007)
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Santiago has nearly become the superstar he's always dreamed of being and is transferred to one of the world's top sides, Real Madrid. How will he stand up to the measure of playing in the UEFA European Champions league alongside Galactico's like David Beckham, Raul, and Zinedine Zidane? |
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Million Dollar Baby (2004)
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In the wake of a painful estrangement from his daughter, boxing trainer Frankie Dunn has been unwilling to let himself get close to anyone for a very long time--then Maggie Fitzgerald walks into his gym. In a life of constant struggle, Maggie's gotten herself this far on raw talent, unshakable focus and a tremendous force of will. But more than anything, she wants someone to believe in her. The last thing Frankie needs is that kind of responsibility-- let alone that kind of risk--but won over by Maggie's sheer determination, he begrudgingly agrees to take her on. In turns exasperating and inspiring each other, the two come to discover that they share a common spirit that transcends the pain and loss of their pasts, and they find in each other a sense of family they lost long ago. Yet, they both face a battle that will demand more heart and courage than any they've ever known. |
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Glory Road (2006)
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For Don Haskins, the dream was always about winning: winning with guts, heart and grit; winning with self-respect; and winning even when the odds were completely stacked against you. What Haskins didn't know in 1966--when he was just a small-town family man trying to make an indelible mark in his first job as a collegiate basketball coach--is that his underdog team's incredible victory would transcend sport and change not only his life and the lives of his players, but the country itself. Haskins and his scrappy Texas Western Miners were unwittingly about to revolutionize basketball and the American landscape. It was still a time of innocence in the United States, yet the country was on the verge of major social changes when Haskins decided to play an all-African-American opening lineup at the NCAA championships against the all-white juggernaut of the University of Kentucky Wildcats. Haskins did it to win. But his bold decision would help break down barriers of segregation that affected every segment of society and set a new course for the future as his team did the one thing they could to prove themselves to a watching world: the played their hearts out. |
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